都是爱情惹的祸

3 Sundance #3; Ishiguro gives Ikiru a sprinkle of poignancy distinctive in his literary works, and his screenplay successfully transplants this story to 1950s England, a period the director replicates aptly both in its appearance and its texture. However, Living does feel rushed at times and inevitably lives in the shadow of its Japanese counterpart. The first half of the film gives too little time to establish the setting, so while the life of Mr. Williams stands on itself, the final satire on the British bureaucracy comes especially less pointed and even disjointed from the rest of the film. Certain actions also feel out of space and added simply for being faithful to the original film

最后一集关注mental health什么的很英国，RM也确实演得很努力。但是！对于Lavender的戏我意见很大！什么“unexpected”，这种叙述感我很不喜欢，太投机了。只能说这剧玩的就是背叛信任（这样来说最后的交代还是太薄弱了，做生意？公事公办？），导演这么玩弄我们想看Keeley的，也是对这个主题的meta了。e1还以为要现实主义，后面俨然剧情飞起，人设lazy。浪费了Keeley那么好的卡司。女权剧？确定不是厌女？腐败的腐败，领盒饭的领盒饭，最靠谱的到头来还是个“母亲/妻子”的角色。

哪个乡下打工的表妹能这么美还不嫌弃你家脏乱差帮你做饭买东西最后还爱上你？！刘德华张曼玉年轻得让我都不习惯了。小时候不喜欢张学友亏在歌神竟演些小混混。有人觉得这片子张学友和万梓良抢了刘德华的戏么？说不听混不成又轴又好面子的小混混连累了义气大哥的故事，惋惜无奈。张曼玉真美！

这种纪录片的方式观众会更好的接受

能做出这么差的节目也是没谁了