亲妈重生后，反派一家被迫洗白

"I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old."

211210心情太差来二刷，从开始的Whoohoo笑到尾 200307我笑死了，小崔太逗了，埃博拉和穆斯林炸飞机，“你是说我们不是好穆斯林么，你是说我不祈祷么”，dillon杀人了？取关取关取关，种族主义数独，哈哈哈哈太绝了

这才是贾木许最好的作品，他的独特气质在表达上最重要的是一定要真诚，要不留痕迹，然而随着贾导的知名度一路高涨，故事题材也渐渐融入主流，那种神秘又自然的人物内心活动的细腻展示被矫饰与做作取而代之，也就失去了贾木许touch。最近贾导在"司机故事"上大获好评主要就是因为主演的“不表演”，虽然没能达到本片的收放自如，但也找回一种真实，也就找回了那个真正的贾木许。女主作品好少，长篇就这一部，很低调，表现却惊为天人，极其自然，幸好后来出演了Louie的异国女友，才得以在荧幕上重见。

较之寺山修司更为晦涩、错乱

《浮草物语》的喜八是憨厚乐天的，而《浮草》的驹十郎则充满沧桑无力感。彩色有声片优势明显：织密的鼓点、淅沥的雨水、舞台效果都有效烘托了悲凉动荡的气氛，然黑白无声的世界自有其值得细读之处——喜八在得知儿子被孝子和阿时设计而与她们对峙时，盛怒之下，胸脯的起伏从未停止。