糟糕！和姐姐走错了

full of unnecessary heterosexual romances

The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière

被心理视频安利的，评分很低，很公道，确实不够好。这个人在撞到脑子之前就为人不咋地，撞到脑子之后更讨厌，所以她不适合用来展现自信是魔法，自信的女孩最美，鸡汤片都不算上乘。然而作为正片又不够逻辑。

想看下和的区别? 是一个模式的吗?是野心之作吗?

拍的真好啊，光是开场那个雨夜戏我就反复看了好几次，真的好喜欢没有手机只有电话的彩色电影啊。