此前对Seyrig的印象还是L'année dernière à Marienbad和Akerman那部永远的Jeanne Dielman，虽说都是激进大胆的影片，但没有想到她在片场外对女性主义运动和摄影的参与程度有这么深，也没有想到她对影像政治/社会性的体认如此灵动和敏感。人人能举起的手持摄影机，让原先被资本层层筛选的影像焕发出颠覆性与政治性的可能。她们是影中人也是制造影像的人。50年过去，我们仍然在接受那个年代的馈赠，以及审视——你是否完全明白了她们的愤怒和决绝，你是否愿意接手这份未完成的使命？
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「When you growing up, you were eccentric to other people, you maybe seemed weird but it was just because you were braver and more honest than everybody else.」「What's remembered lives.」「One of the things I love most about this life is that there's no final goodbye. You know, I've met hundreds of people out here and I don't ever say a final goodbye. I always just say, "I'll see you down the road". And I do. And whether it's a month, or a year, or sometimes years, I see them again.」
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